Modish Monthly Goal Meetup - July

I knew it was coming, that July deadline for the Modish Biz Tips Monthly Goal Meetup, but I was trying to hide in a corner to avoid it. Truth is, June turned out to be very unproductive and more contemplative business-wise than I had anticipated. I have no excuses for why I went into a stall and nosedive. It just happened.

To recap: As part of this Modish community effort to stay motivated in business ventures, I agreed to publicly post a list of goals each month, then follow up with a note on how well I met those goals. I started in April with this list, posted on my blog. May seemed to be more successful as I actually crossed off things that were on my May goals list. Unfortunately, June floated away high into the atmosphere like a lost helium balloon. One minute you're flying higher and higher into the clouds. Then POP! - you're stuck in a tree somewhere along the side of the road, deflated, with nothing but a string holding you on.

Oh well...there's always next month.


What I had hoped to accomplish in June:

1. Continue to think about and just be open to inspiration for my latest shop name idea.

I did think about this and will continue to do so. There is some gelling of purpose happening, but not enough to do a reveal just yet.

2. Work on new banner for my Etsy shop. Coordinate with packing materials for a complete "branded" look.

Uh, nothing done here. Nothing to see, so move along...

3. Reflect on the nature of my business and how much time and effort I want to, realistically, put into it. Do I have the energy and motivation to market it more seriously? What is my relationship with money with respect to creative activities, and how do I need to readjust my thinking to allow my business to grow naturally? Where does my heart really dwell? Where is my business heading?

I have probably spent most of the month dwelling on these questions, so I am crossing off #3 even though I have not reached any important conclusions. Well, maybe that is not entirely true. I did come to the realization that I feel the need to make some sort of unique jewelry component from scratch. I have a few ideas to try but I feel a little willy-nilly about this at the moment, running from concept to concept without settling on anything concrete.

I also have a gnawing sense of needing to give back, to do something that benefits others in need. Perhaps start a local crafting-for-a-cause group, or find an activity that allows me to make a difference with what I create. Maybe this quest needs to be put on top of the list for next month.

4. Continue my quest for the perfect background against which to photograph my jewelry.

Ok, I guess I can cross this off for now since I did pick up some new scrapbooking paper that has photographic promise. I don't think I will ever be completely satisfied with the photos, but I am taking a breather from this for now.

5a. Make more jewelry and get it listed.

Embarrassingly, I did not make anything except some jewelry for a friend's birthday. I'll have to hang my head and slink off in shame on this one; good intentions but no creative umph. My main stumbling block, besides creative inertia, is needing and not finding long blocks of time to sit and play with materials and designs. I seem to need more than an hour here and there to let the creative juices percolate.

5b. I want to focus on using what materials I already have rather than buying anything new. I also want to return to one of my original goals of recycling and repurposing old pieces of jewelry, making them into new creations.

I did give this some thought, and I learned about a new technique that I might use to assemble pieces of recycled vintage glass from a large collection I have into pendants and rings. Still need to think and experiment, however.

6. Start working on my own, stand-alone website.

Nada, zip, zilch, zero. Onto July's list it goes.


So there it is, the good, the bad, and the ugly truth for June. Now on to July... Considering that July and August are going to be interrupted a lot by vacations, summer activities with family and friends, and gardening tasks, I don't have high expectations for business advancement during the next two months. Still, I'll put a few things on the agenda for July.

July Goals:

1. Continue to think about and just be open to inspiration for my latest shop name idea. See if any further inspiration occurs or consider dropping this for now.

2. Start to make jewelry items for my September craft show, stART on the Street, which is a well-attended street fair in Worcester, MA. This may be the only show I do this year, so I'll need to make a big effort to have enough stock for this event. I know the next two months will fly by, so I shouldn't waste any time waiting to make inventory.

3. Test a few of my ideas for making unique jewelry components. Find a use for the recycled, vintage glass I have.

4. Contact a local bead shop about forming a crafters-for-charity group, or look for some other way to use my crafting to make a positive impact.

5. Think about a design for my own website. I know I won't get the site created this month, but I might have some time to play around with background colors and graphics to begin the design process.

I think these are doable. We'll see how it goes. Happy creating and best wishes for a productive July to all the Modish Meetup followers!

Modish Monthly Goal Meetup - June

Wow, it's June already! Even though my incentive to work on my "business" waxes and wanes lately, I am continuing my participation in the Modish Biz Tips Monthly Goal Meetup. As part of this community effort to stay motivated in business ventures, I agreed to publicly post a list of goals each month, then follow up with a note on how well I met those goals. I started in April with this list, posted on my blog. Let's see how I did meeting my May goals.

My May agenda:

1. Complete consignment order which is due to ship at the end of May. (Plain and simple!)

Done! This required me to stay up late quite a few nights, but I was able to ship off about two dozen pieces of jewelry. I hope they receive a positive response at the show.

2. Decide which non-consignment projects, now on my work table, that I want to complete. Put away materials not in use and clear the decks so I can feel mentally and physically uncluttered.

In order to work on the consignment items, I had to clear the decks and get organized. I needed to put away materials that were not currently being used, yet I didn't want to lose the designs I had started to formulate. My solution: use a plastic bead box with compartments to sort and separate pending designs. In each compartment I keep the beads and components for designs that are in the idea stage, taking out each set of materials as I am able to work on a project. I keep this box on a corner of my work table so it's still in view and in the back of my mind, but the pieces are contained and not in the way. So far, so good. Let's see if I can keep these future jewelry items from flowing over onto my work table surface again.

3. Blog once a week at least, more if possible.

Well, I sort of did this...except for the last two weeks of May when I worked furiously on the consignment order.

4. Last month I had a flash of inspiration in the form of another shop/brand name idea. Trouble is, I have no idea what the brand should represent or what the shop should have in it. I just really liked the name and by chance, the domain, Etsy shop name, and blog ID were all available. So I snapped it up in all those places in a "go-with-the-flow" moment. Thus, goal number four is to think about (or maybe to be open to ideas for) this new name and what it will come to be. (And no, I am not telling the name online just yet!)

No news on this one. The idea is still floating in my subconscious and is yet to take shape. I will be carrying this forward for a few months, I am sure.

5. Review materials for packaging jewelry to make them more memorable and attractive.

In the process of assembling the consignment order, I made a little progress on this goal, though I still want to work on fine-tuning the look of the packaging. I decided that I still liked the earring hang tag I made but that it needed a little something extra. So I used a pair of decorative scissors to create a scalloped edge on the bottom of the card. I also turned the single layer card into a double, fold-over type that could stand independently for easier display at a show. Having an extra, empty space on the back side of the fold-over part allowed for the addition of longer item descriptions on the clear plastic labels that I add for pricing and stock keeping. I finally redesigned my hang tag for bracelets and necklaces too. However, I really wanted to change my print color on both of these pieces from black to a nice, dark brown, but my printer would not cooperate. I will need to work on fixing this issue.

I did have fun wrapping a special bridal order and this inspired me to be more creative with my ribbons and box look. (See pictures of the updated earring card and the bridal wrap at the end of this post.)

6. Consider remaking banner on Etsy shop page. (I think it needs a fresh look.) Coordinate with packing materials for a complete "branded" look.

I did not work on the banner...at all...but I did think about the branding idea when I was working on the hang cards. I am still pondering what my coordinated look should be. This is a work in progress and you'll see this again in my June goals list.

7. This last goal is more of an ongoing thread for pondering, and I expect it will be on my list for many months. Reflect on the nature of my business in light of my recently renewed, long-standing obsession with textiles. (Did I mention I am a lifelong fabric-aholic? I sewed well before I started making jewelry.) Can fabric and beads peacefully co-exist? Do I have the energy and interest to do both? Where does my heart really dwell? Where is my business heading?

Ah, deep questions like these require a lot of reflection, so I expect I will have this goal on my list for quite some time. Get accustomed to seeing it for months to come!

So...here we are at the brink of summer, usually the slowest season for most crafting businesses. What happens to my goals for June, July and August? I think summer lends itself best to sitting outside (preferably by a lake in Maine, but that's another goal on another, more personal list), basking in nature's full-bloom glow, and contemplating one's place in the universe. It's not the best time for getting marketing and business goals accomplished, but I will try to set a few anyway.

Goals for June:

Carrying over some goals from May...

1. Continue to think about and just be open to inspiration for my latest shop name idea.

2. Work on new banner for my Etsy shop. Coordinate with packing materials for a complete "branded" look.

3. Reflect on the nature of my business and how much time and effort I want to, realistically, put into it. Do I have the energy and motivation to market it more seriously? What is my relationship with money with respect to creative activities, and how do I need to readjust my thinking to allow my business to grow naturally? Where does my heart really dwell? Where is my business heading?

And some new ones for June...

4. Continue my quest for the perfect background against which to photograph my jewelry. I have been thwarted in this so far. Nothing seems quite right. I also want to improve the look of my photographs so they are not so glaring and more vintage-soft. My camera takes a decent picture...in good lighting, but it is not so proficient at low-light situations, including the filtered natural light that is used in so many Etsy front page shots. I need to continue to experiment until I find something that gives me the feel that I seek.

5a. Make more jewelry and get it listed. This is worth repeating, in bold: Make more jewelry and get it listed. There are all those projects in compartments waiting patiently for their turn in the assembly area. I need to work through them and add more items to my online shops. I've heard it said that you need at least 100 items in an Etsy shop before you start to get noticed. Hmmm...well I have a paltry 14 items as of today, with only four more to list tonight. I guess I'd better get moving on inventory creation! Plus, anything I make during the summer will only serve to build inventory for my big craft show in September.

5b. As part two of the inventory story, I want to focus on using what materials I already have rather than buying anything new. Of course, there will always be components that get used and need to be replaced, but I am trying to resist the temptation of spending money on parts that are not necessary to have right now. I also want to return to one of my original goals of recycling and repurposing old pieces of jewelry, making them into new creations. I feel I have gotten seduced by shiny new things into buying more new elements than I really wanted to incorporate into my jewelry. Yes, I need to have some pieces that can be reproduced from reorderable supplies for a specific vendor, but I have much more room in my Etsy and 1000 Markets shops for one-of-a-kind items.

6. Start working on my own, stand-alone website. I've been thinking about it for some time now and, since I already have plenty of web hosting space, and I do websites for clients, it seems almost embarrassing to have my own domain looking so empty and bleak.

I think I had better stop at 6 goals considering that I won't get a lot done with the garden coming into full blossom and vacation-mind setting in. Good luck on your June goals to all my fellow Modish Meetup participants!

New, self-supporting earring card with scalloped edges

New hang tag for bracelets and earrings

Packaging of bridal custom order

A little of this and that

Where does the week go? Is universal time becoming faster these days? I think it is. At the beginning of the week I noticed that my blog had just celebrated its one year "blog-aversary." There was no fanfare, there were no party hats, and sadly, there was no cake. Sigh. There was only a casual nod to the passing of internet time and some reflection on the way blogs capture little segments of our lives and cast them into the larger sea of thoughts and commentary that form this web community. By making my life - or at least a little bit of it, publicly viewable, I have stepped into the current and become part of the online din that whizzes past our eyes and ears every day. I can only hope I have contributed to the stream in a some small, positive way.

Now on to the rest of the week. With the monthly meeting of our local spinning and knitting group, I returned to my patient, and sometimes lonely, Kromski Sonata spinning wheel to tackle a new wool and mohair roving dyed a delicious melange of pink and yellow. After much groaning and struggle, I had finally dispatched the sticky and persnickety blue wool that looked so pretty but spun with such difficulty. Oh it was not all the beauty it pretended to be! The fibers were long but stuck together with some sort of super bond that tested my patience. However, after heavily drafting it, I did spin it down to the end. The result was one bobbin of embarrassingly overspun and kinked yarn that I wound into a center-pull ball for plying.

Let me tell you that plying an overspun yarn this way - taking yarn from the inside and outside of a center-pull ball at the same time, was an exercise in frustration for me. Only later, after having stopped plying and removing the offending yarn from the wheel forever, did I learn (at my spinning group), that there is a trick to plying this way which involves some clever manipulation of the ball and the yarns within the non-plying hand. ( Actually, the description sounded like a third hand might be needed!) As I was itching to spin something new, I followed my weaving teacher's advice and unwound the remaining single yarn in the ball and wrapped it on my warping board, after which I gently hung the hank on a peg with a small weight to release some of the overspun twist. At some point, I will use this as a weft yarn on my Ashford Knitter's Loom, combining it with some 5/2 perle cotton in blue that I have hanging around, to make a scarf.

In contrast, this latest roving is a dream to spin and the color is a yummy fuchsia-lemon blend that is a nice change from the blues and browns I have been spinning. It's almost a pencil roving and it needs very little pre-drafting before spinning. (Hooray!) I purchased this 50-50 wool and mohair blend from Friend's Folly Farm of Monmouth, ME, while I was at a fiber fair weekend months ago. The mohair lends a fuzzier effect to the finished yarn, so it will be interesting to see how this looks once plied and washed. I am already envisioning it woven into something soft and comforting to wear. I just need to find a coordinating warp yarn, probably in yellow.

It's coming along nicely, don't you think?

So why not use this yummy yarn for knitting, you ask? Well, it is a possibility of course. But there's that weaving business that seems to have taken over my brain and woven itself into the fiber of my thoughts. (Sorry for the puns!) I am starting to dream in warp and weft rather than knit and purl. The advantage of weaving is the ability to make cloth a lot faster than I can by knitting. Plus my hands don't go numb when weaving like they do while knitting. Of course, the loom set-up time is considerable, and my back curses me after leaning over the loom for hours while putting on and threading the yarns. But like people say of childbirth, you forget all that once you are throwing the shuttle and watching your fledgling fabric grow by the minute. The magic of actually weaving overshadows the preparation time.

Now that my weaving class has come to and end for summer vacation, I am working on two weaving projects at home. First, I have twill cotton dishcloths in pale blue and white on my Leclerc floor loom. I would have made more progress on these by now if not for the mistakes I made while sleying the reed: in two places I put four rather than two yarns per dent. I had already woven 32 rows before I decided that this error was going to be noticeable (at least to me), and that I needed to correct these areas. It really didn't take long to fix (just like the weaving teacher predicted), but I feared the effort and thus, put it off too long. Procrastination, you are my middle name.

Second, I have a scarf on my Ashford rigid heddle Knitter's Loom that was working up fairly quickly until I had to take a break to take care of some jewelry business and also to plant some vegetable seeds in the garden while the timing of the moon was right. (I am attempting to follow the Gardening by the Moon method posted on the Farmer's Almanac site.) The scarf has a warp of deep blue 5/2 perle cotton, a free yarn from the Weaver's Guild stash, and a weft of a white and blue synthetic chenille of unknown fiber content, which was received through Freecycle. I am tempted to throw in a narrow stripe here and there of a multi-colored ribbon yarn, just for a bit of color, but I have not made that executive decision just yet. I can see how scarves to weavers can become like socks to knitters; they are both addictive little projects which can be completed relatively quickly and with small amounts of materials.

7" done so far
Add a stripe or not, what is your vote?

Then there are the lovely polymer flowers from ZudaGay waiting on my crafting table to be made into necklaces and bracelets. But here I am writing a blog post rather than working on jewelry and it is already 10 pm. Will someone please slow down the universe so I can catch up??

Modish Monthly Goal Meetup - May

Last month I decided to participate in Modish Biz Tips Monthly Goal Meetup. As part of this community effort to stay motivated in business ventures, I agreed to publicly post a list of goals each month, then follow up with a note on how well I met those goals. I started in April with this list, posted on my blog. It's now May and time to review how I did.

My April agenda:

1. Review all remaining items in The Filigree Garden's Etsy shop and decide which ones no longer fit in with my current creative vision (however murky that is at the moment). Renew those items that still feel like they belong, move some items to 1000 Markets, and mark some for either storage or to be taken apart and redesigned.

Yay! I actually did this early in the month. I was forced to make quick decisions because all of my Etsy items were expiring mid-April.

2. Decide what to do with my Rescued Beauty Etsy shop, which is temporarily on hiatus.

Well, the shop is still on hiatus. I decided it was not worth my time to sell supplies or destash at this time. I might revive it later, who knows? For now, it remains closed.

3. Complete consignment order which is due mid-April (eek!). This involves choosing which items to offer, making a few new designs, and packing it all up for May 1 delivery.

I received a reprieve on this one since the consignment event was moved to June. So this goal will resurface in May. I did narrow down which pieces I want to send and I decided on a couple of new pieces to make.

4. Complete the jewelry that is in process on my work table.

Um, well, I did complete the few pieces I started to make, but while I was playing with beads, new designs appeared and are now half-made on the table. So I am striking this one for April in honor of the work I did complete.

5. Design two coordinating pieces of jewelry for wholesale customer.

Since this wholesale arrangement seemed to slow down considerably, I decided to wait until asked to provide new designs. I haven't heard anything more, so on to more pressing things.

6. Photograph and list new items that have been completed. Try to improve lighting in light box for a slightly softer, more romantic look.

I decided to try taking photographs with natural light and on wood to give a more soft and inviting look. Here's an example of a necklace presented in this format. The reaction on Twitter and amongst friends was mixed. Some liked the wood and some thought the grain distracted the eye from the jewelry design. What do you think? I think I might go back to the light box since natural light is so unreliable, and I am going to retry using fabric and other back drops that would be soft yet not too visually overpowering. Stay tuned...

So here we are, May 4, and it's time to think about goals for this month. I admit that I have been thoroughly distracted from jewelry-making by weaving and gardening, as you can see from my last blog post. In fact, I find myself thinking about yarn and textiles much more than about beads and wire. So, one of the items on my May agenda must reflect this change in mindset and what it means for my business path.

Goals for May:

1. Complete consignment order which is due to ship at the end of May. (Plain and simple!)

2. Decide which non-consignment projects, now on my work table, that I want to complete. Put away materials not in use and clear the decks so I can feel mentally and physically uncluttered.

3. Blog once a week at least, more if possible.

4. Last month I had a flash of inspiration in the form of another shop/brand name idea. Trouble is, I have no idea what the brand should represent or what the shop should have in it. I just really liked the name and by chance, the domain, Etsy shop name, and blog ID were all available. So I snapped it up in all those places in a "go-with-the-flow" moment. Thus, goal number four is to think about (or maybe to be open to ideas for) this new name and what it will come to be. (And no, I am not telling the name online just yet!)

5. Review materials for packaging jewelry to make them more memorable and attractive.

6. Consider remaking banner on Etsy shop page. (I think it needs a fresh look.) Coordinate with packing materials for a complete "branded" look.

7. This last goal is more of an ongoing thread for pondering, and I expect it will be on my list for many months. Reflect on the nature of my business in light of my recently renewed, long-standing obsession with textiles. (Did I mention I am a lifelong fabric-aholic? I sewed well before I started making jewelry.) Can fabric and beads peacefully co-exist? Do I have the energy and interest to do both? Where does my heart really dwell? Where is my business heading?

These last questions may be too metaphysical for business goals, but they certainly affect the amount of effort I put into my business activities. I've always struggled with staying enthusiastic about something once it becomes a profit-making enterprise. Somehow an activity loses its luster once money comes into the picture. This mindset becomes even more prominent when a craft is involved because, for me, art and creativity live on a different plane than jobs and work. I always prefer just making things to satisfy an inner need to do so over focusing on selling them. Plus, let's face it, I am a bit shy (and somewhat lazy) when it comes to marketing and promotion. The idea of spending a lot of time on social networking and hawking my wares makes me want to run and hide! So...maybe number 8 should read, make peace with the difference between crafts for money and crafts for fun, or learn to blend the lines that mark this difference in my mind.

Good luck to all my fellow Meetup followers! I hope May is kind to your goals and that you get a lot accomplished this month.

Sprouting

It's about time I got back to blogging, and a lot of other things that have been in deep hibernation these past few months. Lots of seedlings have been sprouting here, and I'm not just talking about young plants. Ideas have also been growing in the back of my mind. Some idea-seeds have fallen on fertile soil and are taking root, while others never broke out of their protective shells to find nourishment and grow. Alas, such is the precarious life of a seed. Here's a quick look at what is sprouting at the moment.

"Hello, I hope to be a grown-up tomato plant some day."

At this time of year, the subtle caresses of spring sunshine and the melodious songs of mating-hopeful birds awaken the gardener in many of us. I finally stopped hitting the snooze button on this seasonal alarm clock and started some vegetable and flower seeds in flats indoors under fluorescent lights. In an effort to pare down my starts to manageable levels this year, I limited my indoor veggie plantings to tomato, pepper, broccoli, basil and celery seeds. The rest of the seeds will be going into outdoor beds very shortly (weather permitting). In previous years I started too many seeds indoors and then struggled to pot them up into larger containers and keep them under the lights until it was time to transplant into the garden. Inevitably I had to give away lots of plants...not a bad thing, but I felt the need to be less overwhelmed this year.

My husband has been able to arrange my indoor plant lighting so that it is powered (mostly) by energy collected from two small solar panels stationed in the yard, next to the greenhouse.

On the crafting front, I have been weaving! It's only taken me about...um, 16 years, to really pursue my interest in creating textiles via a loom. I may be slow, but I get to almost everything eventually! Thanks to a wonderful "weaving buddy" and teacher from the Weaver's Guild of Boston, my Leclerc Nilus floor loom is now "dressed" (yarns put on and threaded) and ready for action. Looking back at my previous post on the loom's arrival, I realized that it had been almost a year since the loom came into my life. I was feeling a little guilty every time I passed it, sitting alone and untouched, in the corner of the bedroom. But in March of this year, a switch in my inner workings finally flipped on and I found myself calling the Guild for help in learning to weave. A teacher came to my home and spent six hours showing me how to plan a project, measure out the yarns, get them onto the loom, thread the heddles which are attached to the harnesses, "sley" or thread the reed which also is used to beat the weave in place, and finally, to tie the yarns onto the loom where weaving takes place. Oh yes, and then there is the weaving process itself to learn. Making textiles is a complicated process!

While I began to work at home on my own floor loom, I decided I needed to repeat the "dressing" process again so that it would be clearer in my mind, which was reeling from the input of too many details in too short a time. So I jumped into a weaving class at the Guild which was taught by the same wonderful mentor that had come to my home. Taking the class really helped to imprint the weaving process a little further onto my brain cells. I also encountered a problem or two which served to teach me even more about what not to do; our mistakes often teach us much more than our successes do. At the end of three weeks, all that leaning over a borrowed Louet table loom and determined concentration resulted in my being the proud owner of my first handmade textile: a yellow, green and white, plaid, cotton dish cloth/table runner. (It started out as a dishcloth but I can't bear to use my first woven child to wipe up anything messy! So it has graduated to a table decoration.)

Both warp and weft are 5/2 perle cotton

I was fairly pleased with this first completed weaving project. Of course, the selvages are a little uneven, but I was told that it might take years of practice to get these right, and even then, they might not be perfect. One can always stitch the sides rather than leave them exposed; sewn hems cover a multitude of errors!

The pattern is a plaid, but I learned that there is much more to a pleasing plaid than meets the eye. Apparently there is a certain mathematical set of proportions required to create a balanced plaid or stripe pattern. My teacher explained that Italian mathematician Leonardo Pisano, better known as Fibonacci, and his sequence of Fibonacci Numbers provided us with a simple way to plot out stripes and plaids in a way that mimicked balanced patterns found in nature, thus making them pleasing to view. I admit, my eyes grew wide and a feeling of panic washed over me as she jotted down lots of numbers and looked at me for some glimmer of understanding. In the end, I got the general gist of the concept but I will rely on others to fully explain how these number patterns are calculated and used. A couple of useful sites about this topic are:
http://leighsfiberjournal.blogspot.com/2007/05/my-fascination-with-fibonacci.html
http://www.fuzzygalore.biz/articles/fibonacci_seq.shtml

My current project, still in process, is to make fabric yardage for a handbag or two (my current plan, always subject to change) using my new rigid heddle Ashford knitter's loom, a lucky, discounted find that I had purchased on eBay earlier this year. There are so many types of looms and I would love to try them all at some point. The rigid heddle loom is different than the floor and table looms that I have been using in that it does not have multiple harnesses that move the heddles up and down to create a complex pattern. The rigid heddle has one reed which keeps the yarns separate, acts as a beater, and is moved up and down to create an opening called a "shed" through which a shuttle is passed, drawing the weft yarns to cross the warp yarns, thus creating a plain over-under weave. On a harnessed loom, the harnesses are moved up and down to create the shed while the reed is used more as a beater. (For more about weaving and looms, visit http://en.wikipedia.org/wiki/Loom, http://mktag.org/projects/cassandraChoosingLoom/content.html, and http://www.fibrecrafts.com/resource/fact_file/looms/types_loom.asp)

Four feet made so far. Only five more to go!

The Ashford Knitter's Loom has several great features such as portability, a wide range of reeds including one with large eyes that accepts handspun or bulky yarns, and the ability to fold down into its custom carry bag. It was easy to take to class, where I put on yarn, then closed it with yarns in place to take home for further weaving. My loom came with a matching floor stand which is useful for holding the loom when no table is available against which to lean the loom while working.

What I am weaving:
Plain weave
Warp is an older cone of Maysville 8/4 cotton carpet warp in natural.
Weft is Schachenmayr Nomotta Safari; 35% cotton, 20% viscose, 15% flax, 15% acrylic, 15% polyester - a blue-gray and natural toned boucle made in Italy and received from a generous Freecycler (thank you!)

My Ashford is a 20" wide loom but my actual weaving width measures about 18".

This combination of yarns is making an interesting texture. I wonder how it will look and feel when washed?

At the last weaving class, my teacher showed me how to use an inkle loom and she put the notion in my head that, if I had one, I could make matching straps for bags made from my handmade fabric. Hmmm...dangerously interesting idea! When the Guild holds its silent auction next month I might be lucky enough to get a bargain inkle.

Lest you think I have abandoned jewelry-making, I am still slowly making a few new pieces here and there, trying to catch up on the backlog of designs I started and have strewn about my work table. I am hoping to achieve some sort of balance between jewelry creation, weaving and gardening in the coming months. I find it incredibly easy to come up with project ideas for all these pursuits but very difficult to follow through on those ideas in any organized way. If anyone has found a solution to this problem I would love to hear it!

Hearts and Flowers Necklace

Tiger Lily Bracelet

Modish Monthly Goal Meetup

I have really been enjoying the posts by Jena at Modish Biz Tips. Her thoughtful insights on creativity and business have been very much on target for me lately, and she has really made me reflect on my goals for my business ventures. Now she is challenging her readers to state goals for April, posted for all to see, to keep each of them accountable for following through on their to-do lists. On the first Friday of each month, participants in this "Monthly Goal Meetup" will check in and see how they did meeting their goals. I am hoping group motivation and support will help get me moving on business tasks that have been lurking on the back burner.

Gulp, I'm feeling a little nervous since it is already the second week of April and this week is going to be very busy with non-business activities. Here's hoping the universe will look kindly upon my public declaration of goals!

My short agenda for April:

1. Review all remaining items in The Filigree Garden's Etsy shop and decide which ones no longer fit in with my current creative vision (however murky that is at the moment). Renew those items that still feel like they belong, move some items to 1000 Markets, and mark some for either storage or to be taken apart and redesigned.

2. Decide what to do with my Rescued Beauty Etsy shop, which is temporarily on hiatus.

3. Complete consignment order which is due mid-April (eek!). This involves choosing which items to offer, making a few new designs, and packing it all up for May 1 delivery.

4. Complete the jewelry that is in process on my work table.

5. Design two coordinating pieces of jewelry for wholesale customer.

6. Photograph and list new items that have been completed. Try to improve lighting in light box for a slightly softer, more romantic look.

Feeling Knotty

Since I took a short workshop on making knotted jewelry with silk yarn a few months ago, I have had the urge to create more knotted pieces. There is something very satisfying about the feel of working with thread and cord; I imagine it must be the same meditative groove that knitters and crochet enthusiasts slip into when they are deeply occupied with their craft. Manipulating yarns and threads can be very soothing. The rhythmic and repetitive motion coupled with the textural sensation of fiber against the fingers elicits some ancient human memory of a time when making things by hand was both a daily part of survival and an artistic expression.

There's nothing really naughty about feeling "knotty", though it did cause me to break my "no new supplies" fast with the purchase of more silk cord. In fact, knotted jewelry requires far fewer tools than any other type of bead-craft making it a highly portable crafting pastime. The floral necklace pictured above was made using Griffin silk cord, Czech glass beads, gold glass pearls, gold-filled clamshell tips and jump rings, a gold-filled clasp, chain-nose pliers, and a knotting tweezer. Sounds fairly simple? Well, a moderate amount of patience and advance planning is also required because the design needs to be carefully arranged before the first knot is tied; constant measurements must be taken as the work progresses, especially in the "tin cup" style (seen below) which includes numerous spaces between knots where the cord is left uncovered. Once the knots start happening there is no turning back. If you have ever tried to remove a knot from a piece of fine yarn or thread, you will know that your frustration often ends with a pair of scissors and a few choice words. A misplaced knot in a piece of knotted jewelry most likely will mean starting the design from scratch.












The design name "tin cup" comes from a movie of the same name in which the character played by actress René Russo wore a necklace made of pearls knotted at intervals along a lightweight silk cord. This style gained popularity from film exposure and now it has become a classic jewelry design. A "tin cup" necklace or bracelet can be formed along silk cord, nylon monofilament with crimps, nylon cord, waxed linen thread, or multiple strands of silk yarn, as in this lariat style necklace that was my first piece constructed during the workshop I attended. These Swarovski crystals in various shades of topaz and jonquil seem to float on 8 strands of very lightweight, metallic, Japanese silk yarns. Individually these silk yarns are no thicker than fine sewing thread, but together they are quite strong while creating a delicate effect. A lariat style necklace made with silk cord would be great for someone who is allergic to metal for no clasps are required. Closure is achieved by looping one end over the other, and the length can be varied depending on where the ends are crossed.

Knotting has been used for centuries to string pearls. Better quality pearl necklaces are usually strung on silk cord with knots in between each pearl; this keeps the pearls from rubbing against each other and becoming damaged during the course of normal wear. The other benefit of placing a knot between each pearl or bead is that if the strand breaks, only one bead drops out. The rest stay securely in place. Pearl knotting with one knot after each bead in a continuous sequence is easier than making something tin cup style because no measuring of open spaces is required. The necklace below was done this way using a variety of Czech glass beads in jet black and red. The lovely flower centerpiece is a handmade polymer bead made by ZudaGay, a very talented artist who creates beautiful multi-hued beads, pendants, and ACEOs (Art Cards, Editions and Originals) by blending and sculpting polymer clay. Her wonderful garden of designs can be found in her Etsy shop, http://www.zudagay.etsy.com.

True, though silk is strong, it will eventually wear and break, especially if the jewelry is worn frequently. It has been suggested that knotted pearls should be restrung every few years. Silk cord also should not be exposed to water. (No showering or swimming while wearing knotted beads!) Yet knotted jewelry is supple and has a wonderful drape, and the silk cord adds a gentle sheen to the overall appearance of each piece. The extra labor involved in hand-knotting makes this type of jewelry very special and unique.

I have many more knotty creations floating around in my mind. I have several colors of waxed linen cord that are "fit to be tied," so to speak. Knotted linen would yield a more casual look and might be interesting combined with stones and wood beads. No matter what the materials, I am sure I will be feeling "knotty" for some time to come.